Examples of 'rāgam' in a sentence
Meaning of "rāgam"
Rāgam refers to a melodic framework used in Indian classical music. It provides a set of rules and guidelines for composing and performing music within a specific scale
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- Alternative form of raga (“melodic form in Indian music”).
How to use "rāgam" in a sentence
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rāgam
It is considered an auspicious scale and a morning rāgam.
This rāgam is a popular scale in western music as well.
Here are some popular kritis composed in this rāgam.
This rāgam is played in the night.
There are numerous compositions in this rāgam.
Avarōhanam of a rāgam is the descending scale of the rāgam.
It is a pleasing and popular rāgam.
Udayaravichandrika is a symmetric rāgam that does not contain rishabham or dhaivatam.
The following are a few popular compositions in this rāgam.
It is known to be a rāgam that is generally beautiful and soothing to listen to.
It describes the rules for singing descending notes of a rāgam.
It is an ancient rāgam and has been around for a long time.
It is a very pleasing rāgam.
Shree rāgam has been decorated with compositions by many composers.
It is a vivadi rāgam.
See also
It is a difficult rāgam but the most rewarding karuna rasa or pathos.
It is a morning rāgam.
Khamas is an asymmetric rāgam that does not contain rishabham in the ascending scale.
There are many compositions set to Asaveri rāgam.
Mohanam is a popular rāgam which has the antara gandharam in place of sadharana gandharam.
There are many compositions set to Kedaragaula rāgam.
Svarantara rāgam is a rāgam that has only four of the seven swarams in its scale.
There are many compositions set to Garudadhvani rāgam.
Owdava rāgam is a rāgam that has only five of the seven swarams in its scale.
There are many compositions set to Khamas rāgam.
Shuddha Saveri is a symmetric rāgam that does not contain gāndhāram or nishādam.
A few compositions have been set to Saramati rāgam.
Karnataka Shuddha Saveri is a symmetric rāgam that does not contain gandharam or nishādam.
It is also usually learnt in Māyāmālavagowla rāgam.
Amritavarshini is a rāgam which has Prati Madhyamam in place of the rishabham.
It is an audava Shadava rāgam.
Hindōḷaṃ is a rāgam in Carnatic music musical scale of South Indian classical music.
Kalyani Varadarajan This section covers the theoretical and scientific aspect of this rāgam.
Dharmavati is a rāgam in Carnatic music musical scale of South Indian classical music.
In the Muthuswami Dikshitar school this rāgam is called Nārīrītigowla.
Udayaravichandrika is a rāgam in Carnatic music musical scale of South Indian classical music.
Example Kurinji rāgam.
Naṭabhairavi is a rāgam in Carnatic music musical scale of South Indian classical music.
The mnemonic name for this rāgam is Rudra-Sha.
This rāgam corresponds to Bhairav in Hindustani music.
At the same time many composers have used this rāgam for composing 1 song each.
It is an audava rāgam or owdava, meaning pentatonic scale.
According to the Muthuswami Dikshitar school, this rāgam is called Tōyavēgavāhini.
Still, this rāgam does not have many compositions.
Ahiri ( pronounced āhiri ) is a rāgam in Carnatic music.
The 21st melakarta rāgam as per Muthuswami Dikshitar school of music is Kiraṇāvaḻi.
It is the prati madhyamam equivalent of Varunapriya, which is the 24th melakarta rāgam.
Garudadhvani or Garudadhwani is a rāgam in Carnatic music musical scale of South Indian classical music.
The 23rd melakarta rāgam as per Muthuswami Dikshitar school of music is Gourivelāvaḻi.
Dhatuvardhani is the 3rd rāgam in the 12th chakra Aditya.
